& “When Tongues Replace Swords: Somatic Transgression and Its Shifting Performance in Early Modern Revenge Tragedy” By Ana Maria Fernandez
The early modern tragic stage added to its cast of players the unruly member of the tongue. Thomas Kyd’s The Spanish Tragedy, William Shakespeare’s Hamlet, and Thomas Middleton’s The Revenger’s Tragedy all dramatize the tongue’s power to transgress the boundaries of the body and interfere with bodily integrity […]
& “Metaphor, Metonymy, and Metanarrative Space: Negotiations of Truth in a Vlog ” By Josephine Hass
Questions about the role of truth, authenticity, meaning, and authorial intent are not new to art and art criticism, yet the upswell of new forms made possible by new technologies cast these questions in a new light […]
