“White Witches and Warrior Beasts: Hierarchical Arrangements of Being and the Fantastical North in The Lion, the Witch and the Wardrobe and The Golden Compass” By Mabon Foo

The fantasy worlds of C.S. Lewis’s The Lion, the Witch and the Wardrobe and Philip Pullman’s The Golden Compass both feature British children exploring mysterious Northern landscapes and encountering non-human and supernatural beings whose cultures and authority challenge British and Christian hierarchical understandings of existence […]

“Quinn” By Vlad Krakov

In those days, we didn’t really know what vegans were. There were no vegan options at the 7-11, the Fresh Slice, or at Ali Baba’s Shawarma Stop. When Quinn Holmes first explained to us, three sweaty children standing on a street corner, that he was raised vegan, and what that meant, we were horrified […]

‘“To water a mandrake”: Corrupted conversions of the body of Christ in the necrobotany of John Webster’s The White Devil’ By Aiden Tait

From the profane transformation of the body of the hanged man at the gallows into the body of the crucified Christ to the tainting of the Eucharist in the consumption of the body and blood of the dead, this paper intends to explore how examining the use of necrobotanicals through this lens of corrupted conversion offers a new perspective into Webster’s complex relationship with religious rituals in The White Devil […]

“When Tongues Replace Swords: Somatic Transgression and Its Shifting Performance in Early Modern Revenge Tragedy” By Ana Maria Fernandez

The early modern tragic stage added to its cast of players the unruly member of the tongue. Thomas Kyd’s The Spanish Tragedy, William Shakespeare’s Hamlet, and Thomas Middleton’s The Revenger’s Tragedy all dramatize the tongue’s power to transgress the boundaries of the body and interfere with bodily integrity […]