Don’t Look Back: The Rose-Coloured Nostalgia of Rouge and Happy Together

Nostalgia is a common theme across the Hong Kong cinematic canon, particularly in the New Wave films created during the transition period between the 1984 signing of the Sino-British Joint Declaration and the 1997 Handover of Hong Kong. This essay will focus on how nostalgia is configured and located in Stanley Kwan’s Rouge (1988) and Wong Kar-wai’s Happy Together (1997) […]

Racism, Ableism, Exceptionalism, and Imperialism: Jane Eyre as Antifeminist

In “A Dialogue of Self and Soul: Plain Jane’s Progress,” Sandra M. Gilbert and Susan Gubar quote Richard Chase: “Well, obviously Jane Eyre is a feminist tract, an argument for the betterment of governesses and equal rights for women” (338). This essay will argue that the novel is not at all this straightforward, and by some definitions, can be considered antifeminist. […]

The Reimagined (Anti-)Origin Story: Examining Nu Wa’s Diasporic Identity Through Body and Birth

For immigrants of any generation, or members of any underrepresented group, the pressure to define and explain one’s origin or identity is always complicated. In the novel Salt Fish Girl by Larissa Lai, birth and the body are reframed to justify the difficulties in classifying oneself. Through confronting conventions of birth and the use of shifting bodies, the novel challenges the notion of pure origins. In particular […]

“White Witches and Warrior Beasts: Hierarchical Arrangements of Being and the Fantastical North in The Lion, the Witch and the Wardrobe and The Golden Compass” By Mabon Foo

The fantasy worlds of C.S. Lewis’s The Lion, the Witch and the Wardrobe and Philip Pullman’s The Golden Compass both feature British children exploring mysterious Northern landscapes and encountering non-human and supernatural beings whose cultures and authority challenge British and Christian hierarchical understandings of existence […]

‘“To water a mandrake”: Corrupted conversions of the body of Christ in the necrobotany of John Webster’s The White Devil’ By Aiden Tait

From the profane transformation of the body of the hanged man at the gallows into the body of the crucified Christ to the tainting of the Eucharist in the consumption of the body and blood of the dead, this paper intends to explore how examining the use of necrobotanicals through this lens of corrupted conversion offers a new perspective into Webster’s complex relationship with religious rituals in The White Devil […]

“When Tongues Replace Swords: Somatic Transgression and Its Shifting Performance in Early Modern Revenge Tragedy” By Ana Maria Fernandez

The early modern tragic stage added to its cast of players the unruly member of the tongue. Thomas Kyd’s The Spanish Tragedy, William Shakespeare’s Hamlet, and Thomas Middleton’s The Revenger’s Tragedy all dramatize the tongue’s power to transgress the boundaries of the body and interfere with bodily integrity […]

“Night Terrors and Sinister Daydreams: Oneiric Doubles and Psychologies of Moral Management in Jane Eyre and Strange Case of Dr. Jekyll and Mr. Hyde” By Mabon Foo

Charlotte Brontë’s Jane Eyre and Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde both explore instances of duality that negotiate issues of morality and self-control within the Victorian psychological conceptualization of dreams. By exploring popular psychological trends of the era and discussing their influence on dream studies and morality, a framework shall be developed to discuss the mental struggles in the novels[…]