Visual Art by Lucas Glenn Co.

Library Card Series visual art by Lucas Glenn Co. dimensions: 5×7″ medium: paper on card The library card series is an ongoing collage project done on index and library cards. I form the compositions by taking content from a large and growing archive of print sources. The works represent the implementation of outside sources in

“Humanity as History, Not Science” academic essay by Ainslie Fowler

Humanity as History, Not Science: The Reconstruction of Culture through Crake’s Misanthropy in Margaret Atwood’s Oryx and Crake essay by Ainslie Fowler   Margaret Atwood’s novel Oryx and Crake oscillates between the post-apocalyptic world of Snowman and the Crakers and the disparate communities of the Compounds and the Pleeblands. Atwood’s pre-apocalyptic setting is an extreme

“Acheron River” painting by Lily Jones

“Acheron River” painting by Lily Jones acrylic, plaster, on canvas 48″ x 48″ Commentary In Greek mythology, the dead were ferried across the Acheron by the boatman, Charon, to the underworld. With “Acheron River”, I wanted to explore the relationship we have with these fantastical stories and how they are echoed in the present world

“Tomato” poem by Maia Nichols

Tomato poem by Maia Nichols into some swamp land dream scape I trudged with a small wooden paddle and some grape juice for the morning, not looking back or harnessing any of the uncertainty that was collecting dust in my den back home, naïve yet with a slightly sour aftertaste, like the grapes growing on

About Our Contributors

About Our Contributors   Sam Becker is a fourth-year English Honours student who will probably be graduating soon. He has probably talked to you about William Blake and then tried to make a joke. Sarah Ens moved from small-town Manitoba to Vancouver in 2010 and is currently in her first year of the UBC Creative