“SightSeen” and “TreePower” photos by Stephen Morgan

“SightSeen” Photo by Stephen Morgan f5.6, 13sec, 35mm Location: The Seine River, Paris Commentary Each sightseer’s flash captures one single moment from their bobbing/gliding vantage point to be coveted and exhibited for the envious rubes back home. “TreePower” Double Exposure:  Tree (f11, 1/2000, 50mm), Power-tower (f6.3, 1/500, 35mm) Location: Falmer, East Sussex, UK Commentary Fall

About Our Contributors

Issue 2.1: About Our Contributors Stephanie Airth is a third year English Honours student. Allison Birt is a fourth year student at UBC pursuing a double major in Art History and English Literature. She divides her time between her studies and teaching Pilates and the Franklin Method at the Vancouver Pilates Centre. Allison is interested

“On Fishing” poem by Stephanie Airth

On Fishing poem by Stephanie Airth The trout is a sliver of silver birch bark With gills like beet-stained paper snowflakes And a heart black as cherry jelly. It lays congealed on the gutting table; One solar eclipse eye wilts as it stares Up at heaven and sees .                                        nothing. It knows It is the

“What the Dead Know” essay by Chelsea Pratt

What the Dead Know: Political and Personal Corpses in Orwell’s Nineteen Eighty-Four essay by Chelsea Pratt .       Seeping ulcers, naked bodies, tortured forms: as intellectual as George Orwell’s Nineteen Eighty-Four might seem, it also draws heavily on the corporeal aspects of human existence. In fact, the individual body often serves to emblematize Oceania itself: the